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Welcome to Maisie Williams Online, your online source for everything Maisie Williams! Maisie is best known for her role in Game Of Thrones as Arya Stark, and her latest projects is the upcoming mini-series Pistol. Here you'll find the latest news, high quality photos, and media on Maisie. Check out the site and please come back soon!
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Maisie Williams on ‘The Owners’ and the Original Night King Ending on ‘Games of Thrones’
The actor talks going indie for her first post-‘Thrones’ role and the secret Kit Harington was told during season three of the HBO hit.
After devoting a decade of her life to HBO’s global phenomenon, Game of Thrones, Maisie Williams is going indie. In her first post-Thrones role, Williams plays Mary in Julius Berg’s The Owners, which explores a botched home burglary involving a group of friends and an older couple who practice medicine from the aforementioned manor. William’s character gets caught up in her boyfriend’s (Ian Kenny) muddled plan, and has to deal with the unexpected fallout.Coming off of the biggest television production of all time, Williams jumped at the chance to go back to basics via the horror-thriller, as her indie ambitions were inspired by a couple of familiar faces.

  posted by admin
  posted on Sep 04, 2020
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  filed under: 2020-The New Mutants,2020-The Owners,Interviews,News & Updates,Press
Maisie Williams on ‘New Mutants’ Finally Coming to Theaters and Her Thriller ‘The Owners’

After eight seasons as Arya Stark on “Game of Thrones,” Maisie Williams is no stranger to blood, violence, guts and gore.

In her latest role, as a vengeful girlfriend in the gruesome thriller “The Owners,” Williams isn’t afraid to get down and dirty in the name of survival. The ’90s-set movie — directed by Julius Berg and written by Berg and Matthieu Gompel — follows childhood friends who break in and attempt to rob their elderly neighbor’s empty mansion. But when the owners come home earlier than expected, chaos ensues.

“I liked the script and I liked that it was set in the ’90s,” Williams says. “I just thought doing a psychological thriller would be really good fun. I’ve always loved the genre.”

Before “The Owners” is released digitally and in theaters on Sept. 4, Williams will hit the big screen in the superhero epic “The New Mutants.” After two years of delays, the final chapter in the “X-Men” franchise is premiering on Aug. 28.

One perk of the pandemic, Williams says, is getting to promote projects from the comfort of her house in the U.K. In the last few weeks, she’s made rounds on the late-night circuit with virtual appearances on “The Tonight Show” and “The Late Late Show With James Corden.” She does occasionally miss the glitz and glam involved with dressing up for TV interviews and Hollywood premieres, but she’s mostly relieved she doesn’t have to think twice about lounging in her favorite pair of sweats.

“I find live appearances to be quite nerve wracking, so doing these live shows from your own home is really lovely, actually,” the 23-year-old British actress says. “Even now that I started leaving the house a bit more, I don’t know that I’m ever going to wear jeans again.”

Ahead of her next two movies, Williams spoke to Variety about “New Mutants” finally being released after many, many delays, her post-“Game of Thrones” career and the hobbies she’s picked up in quarantine.

How did filming an indie movie like “The Owners” compare to big studio productions like “Game of Thrones” or “New Mutants”?

It never really feels that different. “New Mutants” was an exception, but that was because we filmed in the States, and I feel like the money spent on food in America is so much more than we do in the U.K. It’s also rare that your heater in your trailer really works in the U.K., whereas in the U.S., there’s a running shower and hot water and a little incense stick.

Otherwise, it’s like you’re always pushed for time. You always could be filming for longer. It’s always stressful days. Everyone isn’t getting paid anywhere near as much, and so people are kind of just doing it more for the art of it. And I think that has a real difference on set. Creativity can really flourish when there’s less time and more pressure and less of a budget.

“New Mutants” was delayed so many times over the last two years. Did you ever reach a point where you thought it wouldn’t open in theaters?

I knew that they spent $80 million on it, so I thought, if this movie never comes out, that is such a huge waste of money that really could have made a huge impact in the world. I’m so glad that it is coming out, finally. I hope that people enjoy it. I did definitely think in the middle that maybe it would go straight to streaming. But it’s going to come out in the theater, so I hope that maybe we’ll get a good turnout. I don’t know if anyone’s really going outside.

How do you feel about people going to see it in movie theaters during a pandemic?

I just hope that people wear masks and that cinemas are clean. I know there is quite an intense cleaning that happens in between films anyway. So I would hope that the extra precautions can be knitted in fairly easily to the viewing schedule. But I just hope people are safe. If people don’t feel comfortable, don’t go watch it. It’s going to come out on DVD at some point, you can watch it then.

Did you know from the start that your character Rahne in “New Mutants” would be part of a same-sex romance?

I knew in the comics, the two characters Dani and Rahne had a telepathic connection. When I was speaking with [director] Josh [Boone], he was like, “We’re going to amp that up into a romantic relationship” — which I thought made a lot of sense anyway. If you could actually read someone’s mind, I think that’s kind of what love is — being able to detect someone’s body language and understand how they’re feeling and try to make them feel better, even if you’re in a social setting. If these two characters do have a telepathic connection, I think that is kind of synonymous with love.

I think it’s really important to have a relationship like this at the forefront of a superhero movie or any kind of action movie. I love that a relationship like that is normalized in a film of this scale. I don’t think it’s even labeled at all, and I don’t think the girls ever even ask each other out. They just fall in love when they first meet each other.

Now that Disney owns 20th Century Fox, would you ever want to revisit your X-Men character in a Marvel movie?

Potentially. I think it’s a standard thing with a lot of studios now. If you sign on for one film, they write it in [the contracts] that they can do sequels or they can bring you back for other pictures. I would be excited to play Rahne again. I mean, who knows? I love this story. I think these characters are really interesting for the youth of today to see. And if the movie does well, I would happily come back and do more. It’s up to the people I guess. If teenagers hate it, we will leave it here. But if they liked it, then I wouldn’t deprive anyone of that.

What kind of roles are you interested in?

A lot of the stuff that I’ve done recently has been in an alternate world, and I miss the honesty of playing a girl who isn’t a mutant or she’s not saving the world. I [want to play] a complex woman of now and today. I think these films lack some kind of vulnerability, and I really crave to feel vulnerable on set. There’s a real comfort in doing something that has a lot of effects or blood because there’s so many other things to distract the audience from you. But doing something which is more raw is something that I’m craving at the moment.

After “Game of Thrones,” did you worry about being typecast?

It was never a worry, but it is something that could happen very easily. I’ve always felt so confident that I have a lot of other things to give. If I knew that was all I could do, that is probably all I would do for the rest of my career. And people will happily cast me as similar characters to Arya or Rahne, and that’s very easy for me to do and there’s a lot of that available to me. But I’m really interested in changing people’s opinions of me and showing people all of the other sides to myself that I can bare on screen. I think that’s already happening. I’ve had a lot of really lovely meetings during this lockdown, which have made me feel very excited for the future.

How have you been keeping busy during the pandemic? Have you taken up any new hobbies?

I started learning French, which is going really well. I’ve always wanted to learn other languages, honestly, so I started with French. I’ve been painting and reading and I’ve had a lot of free time, so I just tried to do things that made me really happy. I have found it to be a really meditative and joyful few months of my life.

  posted by admin
  posted on Aug 28, 2020
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  filed under: 2020-The New Mutants,2020-The Owners,Interviews,Maisie Williams,Press
The Owners First Look

IGN-With Game of Thrones behind her and The New Mutants on the horizon, actress Maisie Williams continues to branch out from her breakthrough role as Arya Stark with the upcoming home invasion thriller The Owners, which you can watch the first trailer for via the player above or the embed below.

Williams stars in The Owners alongside another familiar genre face, Sylvester McCoy. IGN audiences will recall McCoy as The Seventh Doctor on Doctor Who as well as for his role as Radagast the Brown in the Hobbit movies.

According to the official synopsis for the film:

“A group of friends think they found the perfect easy score – an empty house with a safe full of cash. But when the elderly couple that lives there comes home early the tables are suddenly turned.

As a deadly game of cat and mouse ensues the would-be thieves are left to fight to save themselves from a nightmare they could never have imagined.”
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Joining Williams and McCoy in the cast are Jake Curran (Spotless, Stardust), Ian Kenny (Solo: A Star Wars Story, Sing Street), Andrew Ellis (Teen Spirit, This Is England), and Rita Tushingham (The Pale Horse, Vera).

In addition to the first trailer we also have the exclusive poster for the film, which you can see below:



The Owners is directed by Julius Berg (The Forest, Mata Hari) who co-wrote the film with  Matthieu Gompel (The Dream Kids).

RLJE Films will release the thriller The Owners in theaters, On Demand, and Digital on September 4, 2020.

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  posted on Aug 07, 2020
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  filed under: 2020-The Owners,Gallery Update,Press
First Look of Maisie in The Owners

Screen can reveal the first look at Game Of Thrones star Maisie Williams in horror-thriller The Owners.

Paris-based sales company Versatile is market premiering the feature at the European Film Market this week.

French director Julius Berg’s English-language horror thriller The Owners revolves around a burglary that takes a violent turn when the elderly inhabitants turn the tables on the young intruders. It is adapted from the graphic novel Une Nuit De Pleine Lune by Belgian artist Hermann and writer Yves H

It is one of Williams’ first roles since HBO’s Game Of Thrones came to an end last year. She plays a young woman who reluctantly agrees to participate in the botched robbery alongside her delinquent, no-hoper boyfriend.

It is Berg’s debut feature after directing several French TV series, including the Netflix acquired La Forêt and the Netflix Original Osmosis. He co-wrote the screenplay adaptation with Matthieu Gompel. Other cast members include Sylvester McCoy, Rita Tushingham, Ian Kenny, Jake Curran, Andrew Ellis and Stacha Hicks.

The film is produced by Alain de la Mata at UK-based Bluelight and Christopher Granier-Deferre, with Nate Bolotin and Maxime Cottray on board as executive producers for XYZ Films, which also handles North American rights.

Co-producers are Brahim Chioua for Wild Bunch, Frédéric Fiore and Eric Tavitian for Logical Pictures, and Pape Boye for Versatile.

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  posted on Feb 23, 2020
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  filed under: 2020-The Owners
‘Game of Thrones’ Star Maisie Williams Joins Thriller ‘The Owners’

Variety-

Game of Thrones” star Maisie Williams is coming on board the 1990s-set thriller “The Owners,” directed by Julius Berg from a screenplay by Berg and Matthieu Gompel.“The Owners” is based on a comic book from the artist Herrmann mersin toroslar escort and written by Yves H. The film is produced by Alain de la Mata at U.K.-based Bluelight, and executive produced by XYZ Films, which will handle North American sales with Versatile handling international at the European Film Market at the Berlin Film Festival.

The film will shoot this spring in Kent, close to London, in an isolated Victorian mansion. The story takes place in rural England with two friends — broke and on the scrap heap at 20 — being spurred on by an out-of-town sociopath to rob the elderly local doctor and his wife. Williams will portray the girlfriend of one of the perpetrators who is dead set against the plan, which results in a deadly game of cat and mouse, leaving Williams’ character fighting to save herself from a nightmare she could never have imagined.

Williams is best known for her role as Arya Stark in HBO’s “Game of Thrones,” which premieres its eighth season in April. She appeared in “Early Man” with Tom Hiddleston and Eddie Redmayne and will next be seen in Marvel’s “X Men: The New Mutants” alongside Anya Taylor-Joy and Charlie Heaton.

“The Owners” is Berg’s first feature, following directing credits on the Netflix series “La Forêt” and the France Télévisions series “The Crimson Rivers.” Williams is repped by Louise Johnston Management (U.K.) and WME.

  posted by admin
  posted on Feb 11, 2019
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  filed under: 2020-The New Mutants,Career,Movies,New Projects
Maisie Williams Tells Charlie Heaton About Her Newfound Freedom

If Maisie Williams wanted to hit the brakes on the whole revenge-killing thing, it would be perfectly understandable. As the cherubic assassin Arya Stark on Game of Thrones, she’s already perfected the art of striking back. But the 23-year-old actor knows a great part when she sees one, which is why she can now be found putting the kibosh on more unfortunate souls in the comic action fantasy Two Weeks to Live. In the SKY series, Williams plays Kim Noakes, a young woman who was raised as a survivalist by her Sarah Connor-esque mother (Fleabag’s Sian Clifford). She also knows her way around a firearm, which comes in handy when she ventures out into the real world to avenge the death of her father, who died when she was young under mysterious circumstances. The show has been compared to Killing Eve for its fiendish British humor, but also for centering women who are as three-dimensional as they are ruthless. For Williams, who can also be seen in the comic book freakout The New Mutants and the home-invasion thriller The Owners, it’s a new phase in a career that is suddenly wide open after sharpening her skills on one of the most-watched shows of all time. As she tells her New Mutants costar Charlie Heaton, this is just the beginning. —BEN BARNA

———

CHARLIE HEATON: So how do we do this? Do we just start? I wrote some questions.

MAISIE WILLIAMS: You actually had to write questions? I thought they were just going to give you questions.

HEATON: I’m prepared. Where are you living right now?

WILLIAMS: Technically I live in London, but I’ve been flitting around a bit. I don’t really know where I want to live. I don’t think we want to be in London anymore. I think we quite like being in the countryside, but whether we stay in Britain or we go to France, we’re still deciding.

HEATON: I remember you mentioned that you didn’t know where to call home. I think you actually said, “I don’t really love being anywhere.” That resonated with me, because we have this job where we don’t ever feel settled. You move around a lot.

WILLIAMS: Just out of curiosity, where did you end up buying?

HEATON: In Atlanta.

WILLIAMS: That’s a smart move because you work there so much. It’s becoming a bit of a home to you.

HEATON: I’ve spent time in New York, but I found that it’s a great place to visit. Every time I go somewhere, I’m like, “This is where I want to be.” And then I’m like, “But do I want to live here?” So it was a surprise for me to buy this place. I like Atlanta because it’s calm, and I’ve got friends here, so it makes sense.

WILLIAMS: Yeah, I’m trying to figure it out. I have had a couple of different places, and I rent them all out at the moment, but I guess what I really missed is having a place which is my own, that I always go back to.

HEATON: I’ve lived out of a suitcase for four years. When you’re a young actor, you’re expected to live a transient life. You start to feel a bit anxious about that. I read somewhere that you’re learning French. How’s that going?

WILLIAMS: It’s going well. Every time I think I’m fluent, I realize I don’t have a clue how to say anything, but I’m going back to Paris to learn some more. I’ve been going to this school called Alliance Francaise, and it’s really great. It’s been nice to spend this downtime concentrating on something because when you don’t have a role to prepare for, or a script to read, or an audition to do, you can feel a bit lost. It’s been nice to use this time and do something that’s all my own, and not for anyone else.

HEATON: If these questions are boring, you can just say, “Stop asking me these dumb questions.” We’ll do a couple of Game of Thrones questions and that’s it. What did it feel like on your last day on set? Is it burned into your memory?

WILLIAMS: A lot, actually. I was just so hyper-aware, every day of the final season, because I really wanted to savor every last piece of it. A lot of my final scenes were in episode five, which was the battle episode, and I was covered in blood, dust, and rubble, so it was really hot. Before every take, I’d have to lie down and they’d pour this icky blood over my eyes, and then they’d put the dust on top, and then more blood. And we’d reset it every single take. I’d have to tilt my head to the side so that the blood went sideways, across my eyelids. It was uncomfortable, but every time I was like, “I’m never, ever, ever going to get to do this again.”

HEATON: That’s really cool. Coming out of it, I’m guessing you had this beautiful feeling of freedom and clarity.

WILLIAMS: Yeah. I think because I had really savored everything, by the time it was over I was ready to let go. There wasn’t any part of me that was clawing at it to stay. And now I’ve come to realize there’s so many parts of the industry which I haven’t even touched, and it’s really exciting to meet with filmmakers, producers, and writers who work on things of all different types of scale, and learn things that are so new to me. I feel ready to show everyone the other parts of myself which they’ve never gotten to see before.

HEATON: I got to watch Two Weeks to Live, which I really loved. You worked on that with Sian Clifford, who I met once and who was so lovely. What was it like to work with her?

WILLIAMS: Sian is truly the kindest soul that I’ve ever worked with. She’ll go out of her way to tell people that she really respects their work. It sounds so simple, but it’s rare to meet people who dedicate their lives to lifting others up. From the readthrough, we were completely on the same page about the characters, the traps we didn’t want to fall in, the mistakes we didn’t want to make, what we needed to amplify, and what we wanted to hold back on. She’s nothing like her character in Fleabag. She’s so sweet and lovely, but she does bitter and angry so well.

HEATON: That’s really nice to hear. There’s something to be said about just being nice.

WILLIAMS: It goes a long way. The age of people being rewarded for poor behavior is slowly ending. We have the best job in the world, and I don’t know why people need to be so angry, because it’s so joyous. And especially right now, we’re at this breaking point. So many parts of society are desperately trying to cling onto this old world, and things are progressing so fast, and it’s such a pressurized moment in time. To be making art right now is special. What we do is going to be around forever, I think. There’s no need to be so mean during that, because you’re so lucky.

HEATON: In the last few years, we’ve seen a lot of shows with strong female leads, like Fleabag, Killing Eve, and your show. You’ve been pretty outspoken about that kind of representation. Do you want to talk about that?

WILLIAMS: I’ve had such a wonderful opportunity to play amazing characters in the beginning of my career, and I’ve learned so much from the women who came before me, because it’s meant that I’ve had a new and a better experience than some of them. It’s like passing the baton. But we’re at a point where unless there are female writers, or female directors, or female producers who can bring these stories to life, there will always be a disconnect between the material and how it’s put together. A lot of people rely on female actors, like, “Can you just sew up all these holes that we haven’t quite figured out? Because none of us know what it’s like to be a young woman in society today.” That’s fine, but there are incredible female writers out there that are doing this already, or incredible female directors who can help with this very problem.

HEATON: We’re on the precipice of change, and it keeps continuing to go in the right direction. It’s great to see that.

WILLIAMS: Absolutely. I was defined by so many of these characters. I grew up watching Sarah Connor in Terminator, or Ripley in Alien, or Trinity in The Matrix. Coming off of Game of Thrones, I was like, “When am I going to play that character?” And then I looked back and realized, “Oh, I think I’ve done that.”

HEATON: Oh, you have. I did want to ask about that cool fight scene in episode two, because I felt it had nods to Game of Thrones. Was it fun?

WILLIAMS: I’ve never really done hand-to-hand combat before. Everything I did on that show was with weapons, which I did enjoy, but it was so much more fun throwing fists.

HEATON: It’s so brutal. How long did you do that for?

WILLIAMS: The whole sequence, from breaking into the house to the end of the fight, was probably four or five days. But really, the big fight, we did it in two nights. We didn’t have long at all to shoot the entire show, so all of the shots were planned before. We had a really strong plan of action, which I’d never experienced before.

HEATON: Also, late last night me and my housemates got to see The Owners.

WILLIAMS: Was it scary?

HEATON: It was fucking creepy. Have you not seen it?

WILLIAMS: I did. I thought it was really scary, but it’s hard to know.

HEATON: Natalia [Dyer, Heaton’s girlfriend] had to leave the room three times. She was like, “I’m done.” Speaking of new experiences, was this your first full-on horror movie?

WILLIAMS: I really wanted to do a psychological thriller. I’ve always loved the genre, and this was set in rural England in the ‘90s, so I thought the imagery would be really cool.

HEATON: For sure. I’m from Bridlington, so I’m really familiar with that lower-class council ‘90s feeling. You’re from Bath, right?

WILLIAMS: No, I was born in Bristol, and then I moved to Bath when I was about 16, so I spent a lot of time in both places. But yeah, that feeling of no escape, very little opportunity, and a lot of petty crime, that was just how we grew up, so it was awfully familiar.

HEATON: I wanted to ask you about this, because coming from Bridlington and Bristol, it felt almost impossible to become an actor. Even being on EastEnders felt untouchable. Do you ever think about that? Because when I go home and I go to the local pub with my old friends, I do get that feeling. It’s difficult being from a working-class background and coming from a small town to trying to break into acting. It is, unfortunately, a little classist. A girl in Bridlington sent me a message saying, “I wanted to be an actor, but I decided it’s probably not going to happen, so I gave up. But then I watched Stranger Things and read you were from Bridlington, so now I’m trying to get into drama school.”

WILLIAMS: Yeah. I was really lucky to find a character like Arya, because they were looking for a girl like me. Going home is really lovely, but totally bizarre, because I still feel like the same person, but it’s very different now. Even in the little village that I grew up in, there’re new families who have moved in. It belongs to other people now, and all of a sudden there’s this famous actress who’s come there. That’s always really strange.

HEATON: I understand that.

WILLIAMS: I think the fear of never escaping stops people from ever getting out. I’ve never really spoken to you about how you got started.

HEATON: I grew up in Bridlington until I was 16, and I lived with my mum and my sisters. I finished school, got my GCSE’s, and at the time I didn’t know what I wanted to do. I was in between music and acting, but my dad lived in London, and I knew I wanted to go there, because whatever I wanted to do, I knew there was more out there than just this town. And I remember my mum being like, “Just make sure you apply for Bridlington Sports College in case you change your mind.” That was the first big decision of many. I moved to London and lived with my dad, and for those first six to eight months, I was super lonely. My dad didn’t really know how to look after a 16-year-old boy. He’d leave me two pounds in the kitchen and be like, “Go get some beans,” so I lived off fried beans and toast. But I stuck it out. And in the beginning it was music. I met a few bands, my uncle had a recording studio, and within the first eight months, I’d joined this band and we did a UK tour. Things were going in the right direction. Then I joined another band, and I got to tour in Canada and Japan, and at that point I was like, “I’ve made it. I’m only 18 but I can die now.” But then my dad wanted rent. He’s like, “You’re 18 now, you’re paying rent.” You’ve only been supplying me with beans for the last two years, and now you want rent off me? For God’s sake. But my sister was like, “Come with me to this casting. If they take you on you could maybe get some commercial work on the side and make a few grand.” And I was like, “A few grand? Wow.” That’s where it began, in an advert for EE, in a conga line with Kevin Bacon. That was my first job.

WILLIAMS: No way. You’re in an EE advert?

HEATON: I was in an EE commercial doing the Conga.

WILLIAMS: I’m so glad I asked. I had no idea. That is perfect.

HEATON: I got two grand, and congaed with a movie star. I was pretty happy.

WILLIAMS: And then Charlie Heaton was born.

HEATON: I would say this to anyone trying to do this. Just take what you can, because you never know what’ll happen.

WILLIAMS: I’ve always got the same advice for people. You’ve got to take every opportunity, even if it’s not an end game. It all pushes you forward, and it’s all going to make a difference. And it will make a wonderful segment in an interview one day.

Makeup by Carole Truquès.

  posted by admin
  posted on Oct 02, 2020
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  filed under: Gallery Update,Interviews,News & Updates,Photoshoots,Press
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