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Welcome to Maisie Williams Online, your online source for everything Maisie Williams! Maisie is best known for her role in Game Of Thrones as Arya Stark, and her latest projects is the upcoming mini-series Pistol. Here you'll find the latest news, high quality photos, and media on Maisie. Check out the site and please come back soon!
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Maisie Williams, from ‘Game of Thrones’ to the cover of Numéro art

Remember the little Arya Stark who fought her way through “Game of Thrones”? Maisie Williams was her. Today, at the age of 23, the Bristol-born star has seduced Hollywood – she recently starred in the blockbuster “The New Mutant” – but also the jewelry house Cartier, which has engaged her as an ambassador. For Numéro art, the actress, director, producer and muse agreed to incarnate the great masterpieces of painting, from Munch’s “The Scream” to Caravaggio’s “Bacchus”.

Maisie Williams rejoue “Le Cri” d’Edvard Munch. Manteau en laine, Miu Miu. Montre “Pasha” 41mm en or jaune, Cartier.

For an entire decade, her skill in wielding the sword electrified audiences the world over. She was the flamboyant Arya Stark in Game of Thrones, a child traumatized by adult vio- lence who, over the seasons, became a household heroine. Maisie Williams, who is now 23, did not enjoy a normal adolescence, but was plunged into a high-octane Hollywood existence. Last year she was back on the screen, both in the series Two Weeks to Live and the blockbuster The New Mutants. But she also took on the more glamorous role of ambassador to the house of Cartier for its new Pasha watch. Now a producer as well as an actress, highly committed to feminist and environmental causes, Williams is at last getting a taste of a more normal daily life for someone her age. When Numéro art interviewed her, in Paris where she was staying this summer, we found an actress in the full bloom of her youth, brimming with assured ideas and new ambitions.

Numéro art: You’ve been living in Paris for a few months. Why did you choose the the French capital?
Maisie Williams: I really like being here. I feel very inspired, much more than in London. Also, I’m working with my boyfriend [fashion-world entrepreneur Reuben Selby] on his brand’s first collection. We worked on it during lockdown and would like to do a fashion show at the Ritz. And since everything goes through Zoom, I’m much better off here.

Everyone knows you as an actress, especially in Game of Thrones, but your spectrum is much broader.
I’ve always considered myself a creative person. My true expression crosses several mediums. Limiting yourself to just one form of creativity doesn’t make sense to me. Music influences my acting, my personality is nourished by my relationship with fashion. The range of things that interest me is constantly expanding. Producing has taken a certain place in my life recently, and I’m planning on showcasing young artists. I’m also developing a series that I hope to fund before the end of the year. I’m writing it, producing it and intend to direct it. But it’s a long process! I’ve also been painting for two or three years. But I’m not forgetting my work as an actress – I’m going to start shooting a film about the true story of a ceramicist from the 1920s, which has helped me get into pottery.

Une réinterprétation de “L’Etoile” d’Edgar Degas. Tutu en tulle et satin brodé, Repetto. jupe à volants en cuir et tissu technique, et souliers, Louis Vuitton. Collants, Falke. Boucles d’oreilles “Juste un clou” en or jaune et diamants, et montre “Pasha” 35mm en or rose, Cartier. Sur la jupe, broche, Tétier Bijoux. Ruban, Mokuba. Au fond à gauche, pantalon en laine, Celine par Hedi Slimane.
What are you inspired by at the moment that fuels this creative whirlwind?
I’ve been listening to a lot of classical music. It puts me in a suspended state. Debussy. I find it very useful for refocusing. Creating such pure art is very powerful. I also set myself the goal of watching a movie a day. I’ve explored the films of Yorgos Lanthimos, Charlie Kaufman and Alex Garland, who wrote The Beach and also directed Ex Machina. I’ve watched a lot of Alma Har’el’s films, including her shorts.

You’re originally from Bristol, so you could have been in the series Skins, which was shot there and marked the 2000s with its trashy representation of teens.
I was eight when Skins started. I discovered it as a vintage series seven years later. [Laughs.] So I couldn’t have been cast. My debut in the audiovisual industry was very different from what you imagine when you think of actresses and actors from England. It’s very difficult to become an actress when you’re from a working-class family. You’re put in a “realistic” box and kept in reserve. Personally, I’ve never felt reduced to just one part of myself. I feel like I can walk into lots of companies and interest a wide variety of people. I have the ability to adapt to the people I meet, including professionally. I’m able to be charming, even if I don’t have social standing. In my opinion, this is the key to success. You have to know how to wear several hats.

Let’s talk about Game of Thrones, which ended in 2019. The role of Arya Stark brought you worldwide stardom, but most of all, you spent all your adolescence and more playing this tenacious character. Does the series seem like a time capsule to you today?

Yes it does. I see that part of my life as a very special mo- ment that will be frozen in time forever. From now on I’ll only be able to see it from the outside – I’ll never again know and understand my life as it was then. But it’s pretty healthy to think of it that way. What happened to me is incredibly bizarre, perhaps one of the most bizarre experiences a young person can have. I learned a lot about myself, I got out, that door is now closed. It’s a very powerful feeling.

Réinterprétation des “Hasards heureux de l’escarpolette” de Jean-Honoré Fragonard. Bustier à paniers et traîne en satin, Moschino. Jupe en taffetas, Patou. Minerve, Gucci. Bague, Tétier Bijoux. Boucles d’oreilles “Juste un clou” en or jaune et diamants, Cartier. Mules, Amina Muaddi. Au fond, chemise en flanelle de laine, Max Mara. À gauche, veste en laine, Acne Studios. Pantalon en laine, Boss.
Do you feel like you missed something from your youth and have reconnected with reality these past 18 months?

When the show ended, I had a strange feeling, as though I’d been pretending to be an adult for ten years when in fact I wasn’t. A few months ago, I downloaded TikTok, which is a very detailed gateway into my generation’s brain. What young people think and feel runs through this app in one way or another. I understood everything I’d missed as a teenager. While I was in lockdown, I connected with my younger “me,” the reckless 15-year-old – a recklessness I didn’t have back then. It was lovely. Now when I’m in contact with people my age, I see myself as less of a stranger. I’m more natural. This wasn’t the case in the world of movies and series, where I pretended to be an adult. I’ve been doing it for so long… It took me away from something. I was happy to finally take off my mask, so to speak.

Your generation seems more inclusive and more involved in the future of the planet than those that came before. Why would you say that is?
Our generation is more lucid, for sure. I feel respect and awe for the planet we live on. The future matters to us. It’s hard to say why, but we no longer accept certain behaviours. Why haven’t others before us taken up the challenge of kindness and inclusion? I can’t say. What’s certain is that, in the past ten years, the development of technology has been a milestone. Political struggles have been another. A new world is emerging, and many people are desperately clinging to the old one. There are so many unknowns. I feel it very strongly: we’re at a turning point. It’s like humanity was inside a pressure cooker. I think historians looking back at our era 200 years from now will consider it a time of major importance. In this context, extraordinary works can be born and art will hold a central place.

Réinterprétation du “Nu descendant un escalier” de Marcel Duchamp. Robe et pantalon en patchwork de cuir, Marni. Sandales, Louboutin.
What are your plans for the future?

I don’t plan much in my life. My goal is to make others happy, to help them discover new perspectives. As an actress, a lot of the things I do are difficult and intense. I’d like my contribution to the world to be more and more positive, and the least sad possible. I want to direct in order to accomplish my vision. I’ve been fascinated by this profession since I started as an actress.

Your character in Game of Thrones has often been associated with the word “badass,” meaning someone mighty and indestructible, a warrior. Do you claim it?

I’ll tell you the truth: to me, that word doesn’t mean much. Frankly, it’s kind of a crappy expression, right? I think people feel the need to put labels on women when they aren’t “feminine.” At any rate it’s one way of getting them to fit into a box. I know it’s supposed to be flattering and kind to say “badass,” but I think all women have extremely diverse layers within them. It’s true that I take on roles like Arya Stark, which are supposedly typically masculine. But you shouldn’t focus just on that. Women can be fragile, and that’s great too. “Badass” is used too often. We deserve better!

Réinterprétation du “Bacchus” du Caravage. Robe et jupe en crêpe de soie, Ann Demeulemeester. Bustier en toile de coton, Reuben Selby. Boucles d’oreilles “Juste un clou” en or jaune et diamants, et montre “Pasha” 35mm en or rose, Cartier.

  posted by admin
  posted on Oct 19, 2020
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  filed under: Gallery Update,Interviews,Maisie Williams,News & Updates,Photoshoots
Maisie Williams Tells Charlie Heaton About Her Newfound Freedom

If Maisie Williams wanted to hit the brakes on the whole revenge-killing thing, it would be perfectly understandable. As the cherubic assassin Arya Stark on Game of Thrones, she’s already perfected the art of striking back. But the 23-year-old actor knows a great part when she sees one, which is why she can now be found putting the kibosh on more unfortunate souls in the comic action fantasy Two Weeks to Live. In the SKY series, Williams plays Kim Noakes, a young woman who was raised as a survivalist by her Sarah Connor-esque mother (Fleabag’s Sian Clifford). She also knows her way around a firearm, which comes in handy when she ventures out into the real world to avenge the death of her father, who died when she was young under mysterious circumstances. The show has been compared to Killing Eve for its fiendish British humor, but also for centering women who are as three-dimensional as they are ruthless. For Williams, who can also be seen in the comic book freakout The New Mutants and the home-invasion thriller The Owners, it’s a new phase in a career that is suddenly wide open after sharpening her skills on one of the most-watched shows of all time. As she tells her New Mutants costar Charlie Heaton, this is just the beginning. —BEN BARNA

———

CHARLIE HEATON: So how do we do this? Do we just start? I wrote some questions.

MAISIE WILLIAMS: You actually had to write questions? I thought they were just going to give you questions.

HEATON: I’m prepared. Where are you living right now?

WILLIAMS: Technically I live in London, but I’ve been flitting around a bit. I don’t really know where I want to live. I don’t think we want to be in London anymore. I think we quite like being in the countryside, but whether we stay in Britain or we go to France, we’re still deciding.

HEATON: I remember you mentioned that you didn’t know where to call home. I think you actually said, “I don’t really love being anywhere.” That resonated with me, because we have this job where we don’t ever feel settled. You move around a lot.

WILLIAMS: Just out of curiosity, where did you end up buying?

HEATON: In Atlanta.

WILLIAMS: That’s a smart move because you work there so much. It’s becoming a bit of a home to you.

HEATON: I’ve spent time in New York, but I found that it’s a great place to visit. Every time I go somewhere, I’m like, “This is where I want to be.” And then I’m like, “But do I want to live here?” So it was a surprise for me to buy this place. I like Atlanta because it’s calm, and I’ve got friends here, so it makes sense.

WILLIAMS: Yeah, I’m trying to figure it out. I have had a couple of different places, and I rent them all out at the moment, but I guess what I really missed is having a place which is my own, that I always go back to.

HEATON: I’ve lived out of a suitcase for four years. When you’re a young actor, you’re expected to live a transient life. You start to feel a bit anxious about that. I read somewhere that you’re learning French. How’s that going?

WILLIAMS: It’s going well. Every time I think I’m fluent, I realize I don’t have a clue how to say anything, but I’m going back to Paris to learn some more. I’ve been going to this school called Alliance Francaise, and it’s really great. It’s been nice to spend this downtime concentrating on something because when you don’t have a role to prepare for, or a script to read, or an audition to do, you can feel a bit lost. It’s been nice to use this time and do something that’s all my own, and not for anyone else.

HEATON: If these questions are boring, you can just say, “Stop asking me these dumb questions.” We’ll do a couple of Game of Thrones questions and that’s it. What did it feel like on your last day on set? Is it burned into your memory?

WILLIAMS: A lot, actually. I was just so hyper-aware, every day of the final season, because I really wanted to savor every last piece of it. A lot of my final scenes were in episode five, which was the battle episode, and I was covered in blood, dust, and rubble, so it was really hot. Before every take, I’d have to lie down and they’d pour this icky blood over my eyes, and then they’d put the dust on top, and then more blood. And we’d reset it every single take. I’d have to tilt my head to the side so that the blood went sideways, across my eyelids. It was uncomfortable, but every time I was like, “I’m never, ever, ever going to get to do this again.”

HEATON: That’s really cool. Coming out of it, I’m guessing you had this beautiful feeling of freedom and clarity.

WILLIAMS: Yeah. I think because I had really savored everything, by the time it was over I was ready to let go. There wasn’t any part of me that was clawing at it to stay. And now I’ve come to realize there’s so many parts of the industry which I haven’t even touched, and it’s really exciting to meet with filmmakers, producers, and writers who work on things of all different types of scale, and learn things that are so new to me. I feel ready to show everyone the other parts of myself which they’ve never gotten to see before.

HEATON: I got to watch Two Weeks to Live, which I really loved. You worked on that with Sian Clifford, who I met once and who was so lovely. What was it like to work with her?

WILLIAMS: Sian is truly the kindest soul that I’ve ever worked with. She’ll go out of her way to tell people that she really respects their work. It sounds so simple, but it’s rare to meet people who dedicate their lives to lifting others up. From the readthrough, we were completely on the same page about the characters, the traps we didn’t want to fall in, the mistakes we didn’t want to make, what we needed to amplify, and what we wanted to hold back on. She’s nothing like her character in Fleabag. She’s so sweet and lovely, but she does bitter and angry so well.

HEATON: That’s really nice to hear. There’s something to be said about just being nice.

WILLIAMS: It goes a long way. The age of people being rewarded for poor behavior is slowly ending. We have the best job in the world, and I don’t know why people need to be so angry, because it’s so joyous. And especially right now, we’re at this breaking point. So many parts of society are desperately trying to cling onto this old world, and things are progressing so fast, and it’s such a pressurized moment in time. To be making art right now is special. What we do is going to be around forever, I think. There’s no need to be so mean during that, because you’re so lucky.

HEATON: In the last few years, we’ve seen a lot of shows with strong female leads, like Fleabag, Killing Eve, and your show. You’ve been pretty outspoken about that kind of representation. Do you want to talk about that?

WILLIAMS: I’ve had such a wonderful opportunity to play amazing characters in the beginning of my career, and I’ve learned so much from the women who came before me, because it’s meant that I’ve had a new and a better experience than some of them. It’s like passing the baton. But we’re at a point where unless there are female writers, or female directors, or female producers who can bring these stories to life, there will always be a disconnect between the material and how it’s put together. A lot of people rely on female actors, like, “Can you just sew up all these holes that we haven’t quite figured out? Because none of us know what it’s like to be a young woman in society today.” That’s fine, but there are incredible female writers out there that are doing this already, or incredible female directors who can help with this very problem.

HEATON: We’re on the precipice of change, and it keeps continuing to go in the right direction. It’s great to see that.

WILLIAMS: Absolutely. I was defined by so many of these characters. I grew up watching Sarah Connor in Terminator, or Ripley in Alien, or Trinity in The Matrix. Coming off of Game of Thrones, I was like, “When am I going to play that character?” And then I looked back and realized, “Oh, I think I’ve done that.”

HEATON: Oh, you have. I did want to ask about that cool fight scene in episode two, because I felt it had nods to Game of Thrones. Was it fun?

WILLIAMS: I’ve never really done hand-to-hand combat before. Everything I did on that show was with weapons, which I did enjoy, but it was so much more fun throwing fists.

HEATON: It’s so brutal. How long did you do that for?

WILLIAMS: The whole sequence, from breaking into the house to the end of the fight, was probably four or five days. But really, the big fight, we did it in two nights. We didn’t have long at all to shoot the entire show, so all of the shots were planned before. We had a really strong plan of action, which I’d never experienced before.

HEATON: Also, late last night me and my housemates got to see The Owners.

WILLIAMS: Was it scary?

HEATON: It was fucking creepy. Have you not seen it?

WILLIAMS: I did. I thought it was really scary, but it’s hard to know.

HEATON: Natalia [Dyer, Heaton’s girlfriend] had to leave the room three times. She was like, “I’m done.” Speaking of new experiences, was this your first full-on horror movie?

WILLIAMS: I really wanted to do a psychological thriller. I’ve always loved the genre, and this was set in rural England in the ‘90s, so I thought the imagery would be really cool.

HEATON: For sure. I’m from Bridlington, so I’m really familiar with that lower-class council ‘90s feeling. You’re from Bath, right?

WILLIAMS: No, I was born in Bristol, and then I moved to Bath when I was about 16, so I spent a lot of time in both places. But yeah, that feeling of no escape, very little opportunity, and a lot of petty crime, that was just how we grew up, so it was awfully familiar.

HEATON: I wanted to ask you about this, because coming from Bridlington and Bristol, it felt almost impossible to become an actor. Even being on EastEnders felt untouchable. Do you ever think about that? Because when I go home and I go to the local pub with my old friends, I do get that feeling. It’s difficult being from a working-class background and coming from a small town to trying to break into acting. It is, unfortunately, a little classist. A girl in Bridlington sent me a message saying, “I wanted to be an actor, but I decided it’s probably not going to happen, so I gave up. But then I watched Stranger Things and read you were from Bridlington, so now I’m trying to get into drama school.”

WILLIAMS: Yeah. I was really lucky to find a character like Arya, because they were looking for a girl like me. Going home is really lovely, but totally bizarre, because I still feel like the same person, but it’s very different now. Even in the little village that I grew up in, there’re new families who have moved in. It belongs to other people now, and all of a sudden there’s this famous actress who’s come there. That’s always really strange.

HEATON: I understand that.

WILLIAMS: I think the fear of never escaping stops people from ever getting out. I’ve never really spoken to you about how you got started.

HEATON: I grew up in Bridlington until I was 16, and I lived with my mum and my sisters. I finished school, got my GCSE’s, and at the time I didn’t know what I wanted to do. I was in between music and acting, but my dad lived in London, and I knew I wanted to go there, because whatever I wanted to do, I knew there was more out there than just this town. And I remember my mum being like, “Just make sure you apply for Bridlington Sports College in case you change your mind.” That was the first big decision of many. I moved to London and lived with my dad, and for those first six to eight months, I was super lonely. My dad didn’t really know how to look after a 16-year-old boy. He’d leave me two pounds in the kitchen and be like, “Go get some beans,” so I lived off fried beans and toast. But I stuck it out. And in the beginning it was music. I met a few bands, my uncle had a recording studio, and within the first eight months, I’d joined this band and we did a UK tour. Things were going in the right direction. Then I joined another band, and I got to tour in Canada and Japan, and at that point I was like, “I’ve made it. I’m only 18 but I can die now.” But then my dad wanted rent. He’s like, “You’re 18 now, you’re paying rent.” You’ve only been supplying me with beans for the last two years, and now you want rent off me? For God’s sake. But my sister was like, “Come with me to this casting. If they take you on you could maybe get some commercial work on the side and make a few grand.” And I was like, “A few grand? Wow.” That’s where it began, in an advert for EE, in a conga line with Kevin Bacon. That was my first job.

WILLIAMS: No way. You’re in an EE advert?

HEATON: I was in an EE commercial doing the Conga.

WILLIAMS: I’m so glad I asked. I had no idea. That is perfect.

HEATON: I got two grand, and congaed with a movie star. I was pretty happy.

WILLIAMS: And then Charlie Heaton was born.

HEATON: I would say this to anyone trying to do this. Just take what you can, because you never know what’ll happen.

WILLIAMS: I’ve always got the same advice for people. You’ve got to take every opportunity, even if it’s not an end game. It all pushes you forward, and it’s all going to make a difference. And it will make a wonderful segment in an interview one day.

Makeup by Carole Truquès.

  posted by admin
  posted on Oct 02, 2020
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  filed under: Gallery Update,Interviews,News & Updates,Photoshoots,Press
After Many Years in Westeros, ‘Game of Thrones’ Maisie Williams is Making up for Lost Time

With the hit series behind her, the 23-year-old British actress is ready to forge her own path, both with a new crop of films and as a brand ambassador for Cartier’s Pasha collection.



Last fall Maisie Williams turned heads during Paris Fashion Week, wearing matching outfits (and makeup) with her boyfriend, Reuben Selby, while sitting front row at Thom Browne. This year, the actor spent her summer in Paris, building partnerships with brands such as Cartier, Jacquemus, Courrèges, and awaiting her next chapter. “As an actress, the best advice I received was to put my personality aside in order to find one that matches each role,” she says. “In fashion, it’s different—you have to understand exactly who you are to be able to represent the brand and the look.”

It’s nearly impossible to forget Arya Stark’s personality. The ruthless warrior Williams played from ages 13 to 21 (eight seasons) on Game of Thrones was beloved among a cast of distinct, oversized personalities. Arya began as a mischievous young girl and grew into an avenging assassin—a tomboy surviving in a male-dominated world. And it can’t be easy to experiment with one’s masculine side while also becoming a young woman; nor to build one’s own character when playing someone else. With short hair and flattened breasts, Arya had to grow up very fast and learn how to protect herself. Williams too. Both Arya and Williams have silenced their critics in different ways: the pretenders to the throne for Arya, and the internet trolls that have disparaged Williams’ looks. Both subverted feminine stereotypes. We’ll never forget Arya discussing her period between battles, reminding Jon Snow that women continually see more blood than men. Now Williams is free to take back her own body and become herself.

For all that blood and violence, Williams is still not finished, and joins the Marvel Cinematic Universe in her role as Rahne in the latest X-Men movie, The New Mutants. Sitting amid the horror and superhero genres, The New Mutants is a real lockdown movie, perfect for a generation traumatized by the global pandemic. “The young mutants are in lockdown in a medical center, apparently to protect themselves and understand their powers, since they don’t know their nature or how big they can get,” she says. “My character is discovering her sexuality, falling in love with another girl, and they are protecting each other instead of fighting. It offers a new perspective to the Marvel movies. It’s somewhere in between The Breakfast Club and Stephen King.”

Coincidentally, confinement seemed to be a theme, with two other related projects from Williams this year. In the TV series Two Weeks to Live, she stars as Kim, a young woman who has been raised in violent doomsday-prepper isolation for years. She rejoins society to avenge the death of her father, and quickly finds herself mixed up in a prank gone horribly wrong. Williams also stars in The Owners, a horror film based on a graphic novel, in which a group of young lawless kids try to break into an old Victorian mansion owned by an elderly couple. “It’s set in the ’90s, so I created a style for it, full of denim and with bleached hair. Like everyone else I’m obsessed with ’90s style,” says Williams.

The actress has also recently invested her time and resources into her own production company. “I created Pint-Sized Pictures with two girlfriends to showcase unknown women’s talents,” she says. “We’re working on music videos, short and long films, and sometimes shows. As for the name, it’s because I’m short, the height of a pint!”

From supporting creative talents and mentoring young women to establishing her own style in acting and fashion, Williams is very much a product of her generation. Add to that animal activism, too. After the many years spent in Westeros, she’s determined to make up for lost time.

 

Maisie Williams for L’Officiel

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  posted on Sep 25, 2020
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  filed under: Gallery Update,Interviews,News & Updates,Photoshoots,Press
Maisie Williams On Being In Her Own Skin… And The Beauty Of Being An Overachiever
For eight years, the British actress was one of television’s most beloved swordwielding, baddie-slaying teenage anti-heroines. Her next big act: mutant, producer, a champion for up-and-coming creatives, and possibly the next most powerful woman in entertainment and the arts. Here, an exclusive close-up.

Even among superheroes, the X-Men have long been a metaphor for growing up, fighting oppression and finding one’s own space within a society that hates and fears them. Perhaps you’ll find that those themes sound too familiar for comfort in 2020, given everything that’s been going on in the year so far.

The same themes are amplified in the upcoming (and long delayed) instalment in the X-Men series, The New Mutants, released in cinemas recently. The film is a horror-tinged spin-off from that universe focusing on a younger set of superheroes-in-training.

Among them: Rahne Sinclair aka Wolfsbane, a teenage mutant with lycanthropic powers who – in a nutshell – was raised in an ultra-religious setting. (Her father was a reverend, strict to the point of abusive to correct any perceived “sins” so much so that he led an angry mob to hunt her down when her powers began to manifest.)

And few are as befitting to give depth to this complex and troubled character as the inimitable Maisie Williams, aka the British actress who – throughout her teenhood – won the world over playing anti-heroine Arya Stark in the HBO epic that was Game of Thrones (GOT).

“Rahne is a stark contrast to the characters I have played before. She is sensitive, she is fragile and nervous, she is uncomfortable in her own skin, and the opportunity to play someone with a physicality like that was something that I didn’t want to miss out on,” says Williams, now 23, in an e-mail interview ahead of our exclusive photo shoot. “When I was a teenager, I used to feel very uncomfortable in my own skin and I know Rahne feels that way.”

It’s no secret that Williams has struggled with bullying, especially when she had returned to school after filming a couple of seasons of GOT. Never mind that her much-loved character was a young noble-turned-deadly assassin, all to right heinous wrongs, Robin Hood-style. These days though, she’s doing the fighting on her own terms.

As is the case with many of the creatives of her generation, she has her fingers in many pies. She’s also a film producer and start-up founder, most notably for Daisie, an app she helped establish in 2017. Officially made public last year, it’s meant to be a platform that emphasises transparency to make it easier for up-and-coming creatives of different mediums (fashion, art, photography, film, music and more) to cross-pollinate and showcase their work.

“WHEN I WAS A TEENAGER, I USED TO FEEL VERY UNCOMFORTABLE IN MY OWN SKIN AND I KNOW RAHNE FEELS THAT WAY.” – MAISIE WILLIAMS

While she’s keeping her plans for it on the down-low, it’s hard to ignore how an endeavour like it feels particularly relevant at a time when multiple cultural movements are emerging to question and rebalance traditional power dynamics.

Read the manifesto on the app’s website that talks about how industry gatekeepers “hold all the power and select only those whom they deem talented enough to advance to the next level… It’s a divisive and alienating way to maintain the status quo and we stand with many others demanding radical transformation”.

“As an actor you have freedom, but with certain boundaries. At the end of the day, you’re still saying someone else’s words,” says Williams. “That’s why I’m so drawn to producing. I would love to create a show or film or anything from the ground up. That way you have full creative control of the set, costumes, words, lighting; you can orchestrate everything.”

It’s often said that actors struggle with being typecast as their most iconic characters, but one gets the sense that Williams – with her take-charge ethos and genre-spanning projects – is doing just fine post GOT. Aside from The New Mutants, her next television role comes in the British dark comedy Two Weeks to Live, scheduled to launch this autumn. In it, she plays Kim Noakes, a young woman who decides to re-enter real life after years of isolation and survivalist techniques she’s had to endure, imposed by her paranoid mother.

Her projects outside of film are likewise demonstrative of her zeal. Of late, she’s been something of a fashion darling, stealing the spotlight at Fashion Week where she’s a front-row regular at brands like Thom Browne and – for Fall/Winter 2020 – Givenchy. Even more recently, she was made one of five young ambassadors of Cartier’s Pasha de Cartier timepiece for achieving success due to her “differences, creativity, connection, multidisciplinary talents, and generosity”.

The most beguiling part about this pint-sized mogul-in-the-making (fun fact: her production company is called PintSized Pictures) however might just be that she doesn’t seem overly obsessed with all that acclaim. “That’s the beauty of being an overachiever,” she says. “Even if the acting ended tomorrow, there are so many things in life I want to pursue. I’ve always wanted to make dolls – maybe out of clay? And then I can make tiny clothes for them.”

Photography Rob Kulisek, Styling Lisa Jarvis Photography Assistants Alban Diaz & Jamie Finnegan Videography Amanda Louise Macchia Styling Assistant Nina Abdelfettah Hair Hei Tai Cheung Makeup Aurelia Liansberg/Wise & Talented, using Dior, Marc Jacobs & Absolution Cosmetics Manicure Sylvie Vacca Casting & Production Tasha Tongpreecha Production Manager Kate Kudinova

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  posted on Sep 08, 2020
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Maisie Williams on fashion, fame and surviving Game of Thrones

Williams is embracing a bright future post Game of Thrones – and the chance to explore her distinctive take on fashion

About 15 minutes into my interview with Maisie Williams, she jumps up from her seat to close the blinds. “Wait, there’s a woman taking a picture,” she says, arching a substantial eyebrow. A fan has pressed a camera against the kitchen window at the house that the 23-year-old is renting for the summer in Paris’s first arrondissement. I think it’s worrying. She says it’s normal. Within a minute, she’s ready to resume our discussion. “I’m OK, we’re all good. What were we saying?”

We were talking, coincidentally, about the many ways in which starring in the television phenomenon Game of Thrones has changed her life. About the fame, and the fact that everyone from David Cameron to Madonna has watched Williams grow up on screen, and can recognise her as Arya Stark, the Needle-wielding heroine of Westeros. And we were discussing the rich list of new projects – from a Marvel Universe film, to an ambassadorship for Cartier’s new Pasha de Cartier watch – that Williams has managed to land since the show finished last year.

 

Chenille romper, £590, Emporio Armani. Gold earrings, £1,580, gold and diamond necklace, £3,450, and gold, onyx, emerald and diamond ring, £32,300, all Cartier

“For me now it’s all about variety,” she says, acknowledging that after a role as defining as Arya, she could have easily been typecast for life. “I want to work on things that feel different, exciting and fresh. I don’t want to do the same thing over and over again, because there are so many different opportunities in film-making. I want to experience them all.” Her predicament: how do you move on from the role of a lifetime, if the role of a lifetime came at the very beginning of your life?

As such the shows and films in which you will see Williams this autumn couldn’t be more diverse. Before lockdown (which she spent holed up making audition self-tapes and watching Normal People along with three housemates in London), she had completed The Owners, a horror film about a home invasion co-starring Rita Tushingham, as well as the upcoming Sky comedy series Two Weeks To Live, with Fleabag’s Sian Clifford. Additionally, The New Mutants, which Williams filmed back in 2017, is finally out, representing her first venture into the comic-book world.

“The New Mutants, for me, was all about the character,” she explains. “I got to play a timid girl who is very different from everyone else that I usually get asked to play. Two Weeks To Live is tonally very different; it’s a dark comedy, and I’d never been on a comedy set before. Then The Owners is a psychological thriller set in the 1990s in the UK, so all the outfits and my hair are bonkers.”

 

Satin dress, £970, Philosophy di Lorenzo Serafini. Gold and diamond necklace, £5,350, Cartier

 

Williams had taken on some small parts during her time on Game of Thrones (a Doctor Who gig here, a few short films there) and emerged from the show at 22, with almost a decade of experience under her belt. But after an eight-year stint as Arya, she was nervous about auditioning again. She realised that she needed to put herself out there, rather than wait and see what would come to her.

“It is almost harder because I had never been told no,” she says. “The second thing that I ever auditioned for was Game of Thrones, and that launched my career. There’s always competition, it doesn’t matter how much you’ve done, you will always lose out on roles. The industry is built upon rejection. I’m definitely learning that now – how to overcome the rejection and not see it as a personal thing. But learning to be told no is really difficult as someone who’s an established actor. No one’s got time for you when you’re like, ‘Oh I didn’t get the part in this thing.’ They’re like, ‘You just came off the most successful TV show of the decade, can you hang on a minute?'”

Williams grew up in Bristol, the youngest of four siblings, and was raised mainly by her mother after her parents divorced. Performing, she says, was all she ever wanted to do, as long as she could swallow the nerves. “I was such an attention seeker, I just always wanted to goof around with my family and make them laugh,” she remembers. “When I first started doing auditions, I went on the train from Bristol up to London, and when it stopped at Reading I would cry. I would cry until we got to Paddington, and then I’d be fine. The pressure was so much, I’d cry and think, ‘I don’t want to do it, I don’t want to go in.’ Then I’d do the audition and have the best time ever.”

The finale of Game of Thrones was watched by more than 19 million people – all of whom are undoubtedly grateful that Williams did pluck up the courage to enter that casting room. Her character transformed over the course of the show from 11-year-old tomboy princess of Winterfell, to faceless god, to Night King-slaying saviour of the Seven Kingdoms, gathering more fans with every show. Williams filmed 59 episodes, won an Emmy and toured the world with the cast.

“At the beginning, when I was young, I found it so exciting when people would stop me in the street,” she explains of the effect the fame has had on her. “I was so excited to just be famous. But the years go by and it gets less and less exciting. Then you start to feel like you’re selling more of your private life and you don’t have ownership over anything and people want to exploit that. I was very lucky that I had so many people protecting me, and I have such a great support network of people.”

Williams says that if she hadn’t had her mother chaperoning on set, and true friends in the cast -particularly Sophie Turner, who played her on-screen sister, Sansa Stark, and was herself only 14 when filming began – she would have struggled with life in the spotlight. “I struggled anyway, really, we all did,” she admits. “But what was so wonderful was that we had so many actors on the show who had been acting for a long time. They gave incredible advice and let me rant on about, ‘Oh, I feel my words were misinterpreted in this interview.’ I was surrounded by people who could tell me, ‘It just happens, you have to let it go, it’s not a big deal.’ That made it all a lot easier.”

Co-star Kit Harington, who played Williams’s older half-brother, Jon Snow, on the show is full of praise for how well Williams and Turner handled themselves. When, in June 2018, he married co-star Rose Leslie, who played the alluring wildling Ygritte, his on-screen sisters were there. “They are like my surrogate younger siblings,” he says. “I found myself [recently] talking to Maisie with great adoration and love and care, but with a tone to my voice that was not right, and it made me realise she is not the kid I remember, she is very much an adult. I love that woman.”

Williams says that while she’s happy to have moved on, grown up and found new beginnings, she savoured every last moment of the Game of Thrones experience. “I was really careful in the final season to not take it for granted,” she recalls. “Even on the cold, ridiculous nights – I remember being hung from these ropes in an entirely leather outfit in the rain and then it started snowing… you’ve just got to laugh, haven’t you?”

Since leaving the show, Williams says, she’s also been able to crystallise and enjoy her sense of personal style more. Where once she couldn’t change her appearance too drastically, now she is relishing the opportunity to switch hair colours and make-up looks regularly. Often she coordinates with her 23-year-old boyfriend, the Contact model agency co-founder Reuben Selby, and the couple might be pictured on the front row at Paris Fashion Week with matching candyfloss-pink hair, or sweeps of red eyeshadow, or in his ‘n’ hers bouclé suits.

While staying in Paris, the pair attended Jacquemus’s show in a barley field, wearing beige linen suits and face masks. She arrives on our shoot in Saint-Denis wearing cycling shorts and one of Christopher Kane’s ‘More Joy’ baseball caps, before whirling through looks by Emporio Armani and Dior.

Something she likes about the Pasha de Cartier watch that she endorses (and duly strokes on her wrist throughout the interview) is that “it’s never been specifically gendered,” she says.

“And I would say that my style is very much like that. I have a lot of influence from when I was growing up with my brothers and the way that they would dress. We’re all becoming more accustomed to the fluidity of clothing and identity, and I really try to carry that with me as much as I can.”

Williams joins actors Rami Malek, Troye Sivan, Willow Smith and Jackson Wang in the advertising campaign for Cartier. She says that she feels like ‘a kid in a candy store’, and she can’t believe her luck that fashion ambassadorships can be a bonus role for actors these days. She’s always loved clothes, but learning about her style and what she actually likes, she says, came via many rounds of red-carpet appearances as a teenager. Looking at each year’s series premiere for Game of Thrones, you can track her style evolution via minidresses with tights and boots (2013), through a phase of full, ladylike skirts (2016) to where she has settled now.

“I was always curious but I didn’t know how to represent myself,” she explains. “I was very fearful of being judged and I was too scared to express myself. I have learnt to embrace who I am and have my own opinions and style myself the way that makes me feel good and proud. Growing up, it’s anyway hard to experiment for fear of being judged, but also being in the public eye made it that much more terrifying. I’m still learning now, but really in the last 18 months I think my style has become more refined.”

Another creative outlet that Williams is ‘still figuring out’ is social media. She has switched her approach in recent weeks, she says, to stop herself from becoming a ‘performative activist’.

“When I was a teenager, social media was exciting and new and you could invent yourself online,” she explains. “I wanted to share everything like my friends did. Then obviously I got a much larger following, so there was pressure to not say anything stupid.”

At about the age of 14, she found it harder to cope with the noise online from fans and critics. “I went through a time when I found it difficult to listen to people’s opinions of me constantly,” she continues. “When you are 14, people still want you to be a kid, but you’re also trying to be a grown-up. And you don’t know which one you’re supposed to be and you’re stuck in your body. That was a difficult time.

“I became really outspoken, but it was only because I was very insecure. I learnt to just speak about things I felt really passionate about and didn’t get involved in every single political issue, but now I’ve come to the point where I think there’s all this performative activism, where it’s like it only counts if you can post about it. Isn’t it better that I’m just learning and being a better person, rather than talking about it on social media?”

Williams’s self-awareness is one of her endearing qualities – Nina Gold, the casting director on Game of Thrones, described her as an ‘old soul’ when she met her, at 12. Ask most 23-year-olds what’s next for them and they might shrug and say ‘dunno’. Williams gives the shrug, but rattles off a very specific list of goals – from starring in a film that allows her to experience the full critics’ festival circuit (she’s never been to Cannes, and feels she’s attended other festivals ‘only as a fan’), to working with more female directors, to producing something of her own that is a commercial success. You don’t have to be a Three-Eyed Raven to know she’s going to achieve them all.

“I do have a bit of a plan for the first time,” she grins, her huge hazel eyes opening up. “Through my whole career I haven’t set any goals, and it’s been fine, but recently I’ve been like, ‘OK, let’s try and manipulate this situation we’re in and nail down some things I want to do.’ It’s been really helpful, even from a mental health perspective, feeling like there’s some sort of direction. I’m not just floating through the world and waiting to see. Now I’ve got an idea.”

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  posted on Sep 06, 2020
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Maisie Williams: ‘When I was 12 people were like, Ooh, are you gonna get a drug habit and ruin your life?’

The 23-year-old New Mutants star talks to Craig McLean about making revenge comedy ‘Two Weeks to Live’, why she wouldn’t jump to watch ‘Game of Thrones’, and why women have to create their own stories to escape tokenism

Maisie Williams zooms into view, all Eighties club-kid fashion, heavily kohl’d eyes and shaggy, bleached blonde hair. It’s a bold look, one she probably couldn’t rock while filming eight seasons of Game of Thrones – that eye-popping ’do wouldn’t exactly fit with Arya Stark’s stealthy revenge mission – but it’s of a piece with the chic open-plan kitchen from which she’s speaking.

This, it turns out, is chez Williams, but not in the way we might expect.

“I’m in Paris, and learning French, which is going… well!” she says, falteringly, laughing. This isn’t preparation for a production, she clarifies, “but I’d love to do a French-speaking film. It’s just for me, for now, but with the intention one day of making a movie. We came here three, four weeks ago – my boyfriend is working remotely like most people, so we thought it’d be a good opportunity because we love it here so much.” Spoken like a true, globe-trotting young acting A-lister who “isn’t really in love with any city that I’ve been to. I’m really happy just moving around and I have a wonderful job which allows me to do that.”

We’re not here to discuss the 23-year-old’s return to the world of fantasy little more than a year since that fan-frustrating final season of Game of Thrones. At the time of talking, the cinema release of would-be blockbuster superhero movie The New Mutants – in which Williams plays a mutant who can turn into a wolf (handy) – is still up in the air. Equally, she shot the film three years ago and it’s had a tortuous post-production process, so it’s probably as far in her rear-view mirror as all the hoo-hah about who really should have won the Iron Throne.

Plus, it was another alternative universe-set story. As the Bristol-born actor says, somewhat tellingly, “I’ve worked on a lot of different projects in a lot of different mediums – but I don’t know that I’ve worked on something that I would jump to watch!” she adds with another laugh. “They’ve been very commercially successful, but I don’t really watch that sort of thing that often. So I’m looking to work with someone who I can just feel my most creative with.”

Which probably explains her first proper post-GoT project. Two Weeks to Live is a zingy comedy series/revenge drama, the violence set in motion by a practical joke gone wrong concerning a fake apocalypse (way funnier, not to mention credible, than it sounds, honest).

Williams plays a young woman, Kim, who’s grown up in the remote Scottish Highlands with her mum Tina (Fleabag’s Sian Clifford). But when life off the grid and killing deer for dinner starts to lose its lustre, Kim heads out into the real world, pursued by her mum. With what it seems is characteristic no-BS playfulness, she admits it was the right thing at the right time for someone who started on GoT when she was 13.

“It probably wasn’t the most challenging thing that I’ve done. But I guess that’s also why it was great timing, because I’d just come off 10 years of HELL!” Williams hoots, leaning her face into her laptop. “No, 10 years of joy!” The six-part show was, clearly, a blast to make. She and Clifford, who has just won the Female Performance in a Comedy Bafta for Fleabag, clicked instantly, bonding over their shared experience of playing fan-favourite characters and the challenge of moving on from those.

“When you watch us onscreen, you can just tell we’re having a lot of fun. That’s an infectious thing for the audience. That’s what’s it’s all about, right? Moving the audience and them being able to feel what you’re giving, and I think this show really does that. And for me, it’s different to anything I’ve done before.”

This explains why she hasn’t use her global GoT fame to springboard into Hollywood blockbusters, as her Westeros bestie Sophie Turner has done with the X-Men franchise. “There are so many parts of the industry that I’ve never really experienced. And I didn’t want to price myself out of that, or run away from the opportunity to work on something like this.

“I’m sure every single person who was on Game of Thrones has been asked: what are you gonna do now?” she wonders in her relaxed, slangy speaking voice. “There’s always the accusation, or query, as to whether you’re going to do anything that was that successful again. But what we did on Game of Thrones was unprecedented, and if you try and do something like that again, you’re only gonna fail. Because that sort of thing only comes around once. A big box office smash viewed by millions and millions of people around the world – it’s never gonna top that. So that’s just not a fulfilling thing to go after.”

Two Weeks To Live, then, was a smart pivot, one that enabled her to flex comedy muscles while also show off her old fighting and stunt skills. “This was a really intense shoot, three, four shots per scene, and snappy and quick. You miss out on opportunities like this if you’re just trying to go for status.”

Williams clearly has a calm, cool head for her business, and for herself, and always has – I met her on the Northern Irish set of GoT when she was 14 and she was as unflustered and down-to-earth as they come, even as Thrones mania was exploding around the world. As she advanced through her teenage years, she navigated child superstardom with apparent ease, even as she was becoming one of the best-paid teenage actors in the world – by the final season, she and Turner were reportedly earning £158,000 per episode. But there were no tales of excess or indulgence, no paparazzi shots of drunken stumbles outside nightclubs.

Her mum, she says, deserves much of the credit for shepherding her through onrushing fame, but at the same she time herself was “always so aware” of the possible pitfalls.

“Even when I was 12, people were like: ‘Ooh, are you gonna get a drug habit and ruin your life?’ That is the problem, I guess: the fact that you’re doing interviews when you’re 12 and no one’s ever addressing why that’s a really difficult and dangerous thing for you to do. Everybody wants you to have an opinion on something when you don’t know who you are yet.

“So I was really quick to understand that: these people aren’t my friends. People just want to go where the money and drama is. And I wanted to really protect myself.” So she had to “grow up really fast” while also recognising that that “can also mess you up. It’s a minefield [and] it’s a challenge every single day.”

As for her next professional steps, she’s looking… and looking. One area of firm interest is women-led projects. “Women telling female stories [is] really important, I think, if you want to create something that really does speak to women and that is really emotionally in tune, and powerful. We’re going through this phase of hiring women as, like, a token – they’re always onscreen, but they’re never behind the camera. There’s just a real mismatch there, because how can you expect a male director to know what it’s like to be a woman?”

She mentions The Falling, a critically acclaimed indie by Carol Morley that she made when she was 15. “I’m so proud of that, and I would love to do something in that vein. That’s a movie I would have watched if I wasn’t in it. Everyone sees me as, you know, 16, which is cool. But I mentally don’t feel like a 16-year-old, and it would be nice for me to play a woman who is as complex as I am.”

Female writers and directors with a possibly French-language project in need of a star who’ll bring talent, smarts and budget? You know who to call.

Two Weeks to Live starts on Sky One on Wednesday 2 September

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  posted on Sep 04, 2020
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